Tuesday, September 7, 2010

The Raven: Rhetorical Analysis

In his essay “The Philosophy of Composition”, Edgar Allen Poe provides a complete account of the steps he took in writing his most famous poem “The Raven”. When describing how he begins the process for each of his pieces, Poe said that he “prefers commencing with the consideration of an effect”. The effect is the focal point for the rest of the poem. The purpose of “The Raven” then became to use the chosen effect of beauty to “excite the sensitive soul to tears”. To do this, Poe employs rhetorical devices to allow the reader to sympathize with the protagonist’s situation before the poem’s end, where the protagonist, along with the reader, is then emotionally devastated.

Because “The Raven” is a poem and not a more formal piece of writing, Poe only utilizes pathos as a means of connecting with the reader; Poe’s artwork is completely an emotional experience. Immediately, Poe helps the reader identify with the protagonist through the description of the emotions that the bereaved lover is experiencing. He portrays the protagonist as lacking sleep and filled with pain and sorrow over his loss. The lover is “weak and weary” but is still awake at midnight in “bleak December” examining Lenore’s book collection. This paints a picture of a man that is very heart broken. Furthermore, when the protagonist opens his chamber door, hoping to see Lenore on the other side, Poe displays the longing that the lover has for his deceased maiden.

By illustrating the protagonist as heart broken, Poe achieves two critical goals in the process of leaving as big an effect as possible on the reader. First, he establishes a feeling of pity for the protagonist. After discovering of all the pain that the lover has already gone through, no reader will want the protagonist to experience any more tragedy. Second, Poe appeals to the reader’s sympathetic side to ensure that the reader feels emotionally invested in the protagonist. Poe assumes that nearly all of the readers will have dealt with some sort of loss in their life and that the emotions they felt are similar to those of the bereaved lover. By having something in common with the protagonist, the reader is expected to sympathize with the protagonist and ultimately feel closer to the character as an actual person. This connection between the emotions of the lover and the emotions of the reader allows Poe to create a much more powerful effect at the conclusion of the poem. Because the reader is now invested in the situation of the protagonist, any pain that the protagonist feels will also be felt by the reader. The reader will be more shocked, more saddened, and more effected by the conclusion of the poem because Poe has employed pity and sympathy to make the reader more involved in the poem.

Through this emotional technique, Poe has successfully established a bond between the protagonist and the reader. Thus, Poe has made it easier to accomplish the goal of the entire poem, which was to “excite the sensitive soul to tears.” When the raven reveals that the soul of the protagonist will remain on the floor and never be lifted into heaven, the reader is greatly affected. The reader shares the tragedy of the protagonist more significantly. There is even a slight moment where the reader wonders if something like this could ever happen to them. All of this was possible because of the rhetorical technique that Poe employs at the beginning of the poem.

5 comments:

  1. I sound completely cliched, but this just blew my mind a little bit. Really, because I didn't once consider the protagonist's heartbreak as anything more than an addition to the already melancholy and depressing nature of the poem. Virtually, heartbreak just adds to his many problems that the raven causes the protagonist to see. However, I really like how you focus on the protagonist's heartbreak as a central point, and I definitely agree that it creates a connection between protagonist and reader before the poem even truly begins. Poe creates a connection and draws the readers into feeling sympathy, sympathy which is further heightened by the intrusion of the raven into the man's peaceful (or perhaps already distressed) night.

    What I find interesting is that Poe wrote a poem titled "Lenore". I have yet to read the poem, but I actually may post it in another comment just for us to all look at and ponder over. But, it's interesting how Poe further connects his ideas in other poems, and it'd also be interesting to see how Lenore is portrayed in his other poem.

    On a final note, your response reminded me of tragedy and the idea of a tragic hero. The audience in a tragedy often feels catharsis at the end, as Poe also causes his reader to feel in this poem. We sympathize with the protagonist and even worry that a similar situation may occur in our own lives, which causes our sympathy to heighten out of fear of this possible occurrence. Tragedies seem to use pathos as their method of choice throughout their stories.

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  2. Here's Poe's poem, "Lenore":


    Ah, broken is the golden bowl! the spirit flown forever!
    Let the bell toll! -a saintly soul floats on the Stygian river -
    And, Guy De Vere, hast thou no tear? -weep now or never more!
    See! on yon drear and rigid bier low lies thy love, Lenore!
    Come! let the burial rite be read -the funeral song be sung! -
    An anthem for the queenliest dead that ever died so young -
    A dirge for her, the doubly dead in that she died so young.

    "Wretches! ye loved her for her wealth and hated her for her pride,
    And when she fell in feeble health, ye blessed her -that she died!
    How shall the ritual, then, be read? -the requiem how be sung
    By you -by yours, the evil eye, -by yours, the slanderous tongue
    That did to death the innocence that died, and died so young?"

    Peccavimus; but rave not thus! and let a Sabbath song
    Go up to God so solemnly the dead may feel no wrong!
    The sweet Lenore hath "gone before," with Hope, that flew beside,
    Leaving thee wild for the dear child that should have been thy bride -
    For her, the fair and debonnaire, that now so lowly lies,
    The life upon her yellow hair but not within her eyes -
    The life still there, upon her hair -the death upon her eyes.

    Avaunt! tonight my heart is light. No dirge will I upraise,
    But waft the angel on her flight with a paean of old days!
    Let no bell toll! -lest her sweet soul, amid its hallowed mirth,
    Should catch the note, as it doth float up from the damned Earth.
    To friends above, from fiends below, the indignant ghost is riven -
    From Hell unto a high estate far up within the Heaven -
    From grief and groan to a golden throne beside the King of Heaven."

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  3. Very insightful as well, I am enjoying how we all have read this poem from a different lens.
    Although I cannot disagree with the fact that Poe's intent was to "excite the sensitive soul to tears" because Poe said that himself, I did not feel the same connection at the end of the poem or as much pity for the protagonist. I am not a complete dark-hearted person who cannot feel pity (in fact I am quite the opposite), but I feel that the eeriness of the Raven and the questioning as to how the protagonist's maiden died drew me further away from a lasting effect of pity. It is true that this is my reading of the poem and can be different for all others, but I feel I was more shocked as to the wondering of how she died, rather than shocked at the death itself.

    By reading and researching a little about Poe this evening, I have come to find that his wife, who I believe was named Virginia, was suffering from an illness during the time both "The Raven" and "Lenore" were written. Having that thought in mind, I reread "The Raven" and my feelings of pity and sorrow for the protagonist did in fact strengthen as you discussed in your response.

    I am curious, though, that is it the fact that the protagonist's soul will never leave the floor that is so pitiful or the fact that it will never go to heaven? For me, the fact that his soul will not meet with the soul of his deceased wife evoked the most sorrow in me...he suggested in "Lenore" that he may never meet her again in heaven or rather he will always see "death upon here eyes" (Poe 17). What are your thoughts? Is it that they (protagonist and maiden) will never meet that saddness us, the readers, or that the protagonist's soul is just stranded on that floor and he is damned himself that evokes more sorrow?

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  4. Claire--should we have to know the personal experiences of the author to have the kind of pity Michael describes?

    Michael--your argument is sound and interesting (I don't mean that lightly) but short on evidence. I absolutely agree that Poe asks us to identify with his speaker (in poetry "protagonist" = "speaker") but HOW? One way, for example, is through his use of one specific word: we.

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